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| Image credit: Benjamin Brett |
THE 8 ARTISTIC PRINCIPLES
BENJAMIN BRETT / JACK BRINDLEY / ALICE BROWNE / JESS FLOOD-PADDOCK
CURATED BY JOSHUA LOCKWOOD
Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts
Sweat Paintings
water collected from sited de-humidifier, industrial printer cartridge, printer ink on canvas
170 x 90 cm
Sweat Painting (Y), 2013
water collected from sited de-humidifier, industrial printer cartridge, printer ink on canvas
170 x 90 cm
Sweat Painting (M), 2013
water collected from sited de-humidifier, industrial printer cartridge, printer ink on canvas
170 x 90 cm
Sweat Painting (K), 2013
water collected from sited de-humidifier, industrial printer cartridge, printer ink on canvas
170 x 90 cm
Mud and Water
'Industry Painting (Ceramic mould making studio, Stoke-on-Trent)', 2013
16/12/13 - 7/3/14
JACK BRINDLEY, CLIVE BOWEN, JANE BUSTIN, MICHAEL CARDEW, EDWIN BEER FISHLEY, THE GRANCHESTER POTTERY, JESSICA JACKSON HUTCHINS, BERNARD LEACH, JANET LEACH, KATE NEWBY, CHRIS PRINDL, GIDEON RUBIN, NICOLA TASSIE, JESSE WINE, MIZUYO YAMASHITA
Despite a recent tendency to see ceramics and the modern British art movement as separate disciplines the two are closely interwoven. The approaches of artists working in clay such as Bernard Leach, considered the father of the British studio pottery, and Michael Cardew mirrored the Modernist ideas gaining currency in Britain in the early 1920’s in both painting and sculpture. Post war art in Britain drew upon - amongst other things - the tradition of the handmade. This is especially true in St Ives where Bernard Leach chose to set up his first pottery. Leach united the classical pottery traditions of Asia including their taste for imperfections with those of English slipware potters to define the modernist vernacular revival.
JACK BRINDLEY, CLIVE BOWEN, JANE BUSTIN, MICHAEL CARDEW, EDWIN BEER FISHLEY, THE GRANCHESTER POTTERY, JESSICA JACKSON HUTCHINS, BERNARD LEACH, JANET LEACH, KATE NEWBY, CHRIS PRINDL, GIDEON RUBIN, NICOLA TASSIE, JESSE WINE, MIZUYO YAMASHITA
Despite a recent tendency to see ceramics and the modern British art movement as separate disciplines the two are closely interwoven. The approaches of artists working in clay such as Bernard Leach, considered the father of the British studio pottery, and Michael Cardew mirrored the Modernist ideas gaining currency in Britain in the early 1920’s in both painting and sculpture. Post war art in Britain drew upon - amongst other things - the tradition of the handmade. This is especially true in St Ives where Bernard Leach chose to set up his first pottery. Leach united the classical pottery traditions of Asia including their taste for imperfections with those of English slipware potters to define the modernist vernacular revival.
Designing Out
Designing Out (On & On), 2013
(100 biro's diluted in alcohol, leather dye, car break fluid oil, paint stripper and anti-graffiti solution on Di-bond, found publication, and exhibition panels)
Designing Out (On & On)
Designing Out (On & On), 2013
(100 biro's diluted in alcohol, leather dye, car break fluid oil, paint stripper and anti-graffiti solution on Di-bond)
122 x 163 cm
Surface Strategy
Surface Strategy, 2013
(100 biro's diluted in alcohol, leather dye, car break fluid oil, paint stripper and anti-graffiti solution on Di-bond)
89 x 122 cm
Blueprint (London to Amsterdam, 2013)
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Blueprint (London to Amsterdam, 2013)
Cyanotype on canvas.
120 x 160 cm
120 x 160 cm
@ Boetzelaer Nispen, Amsterdam
Welcome, Ghosts (British Columbia, 2013)
Welcome, Ghosts (British Columbia, 2013)
Dimensions variable, locally sourced clay, found publication, 2013
Welcome, ghosts (Cambridge, 2013)
Welcome, ghosts (Cambridge, 2013)
Locally sourced clay, found image.
Its been a long, long time
Its been a long, long time
2013, Oak, cellulose lacquer, Mother of Pearl fretboard inlays
Anthozoa Index (Weeds of resistance)
Anthozoa Index (Weeds of resistance)
weeds, oak, glass, steel, oil on linen, 2012
News From Nowhere
News From Nowhere,
steel, William Morris curtain fabric, 2012
News From Nowhere,
steel, William Morris curtain fabric, 2012
Welcome, Ghosts, clay, 2012
With sculpture by
Zoe do Soumagnat
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